The end of the year is upon us and for the first time in forever I'm proud to present a new showreel. It's been an honour to work alongside amazingly talented people and I hope 2024 brings more good things this way. If you have the chance, please watch these amazing films. Their directors and teams worked really hard to bring them to life.

Sueli's most recent collaborations and commissions as a clean up artist.

2023 | 7mins 20secs Synopsis The townsfolk of Custer speak of a legendary wolf, but a hunter is confident he can kill the creature and end these tall tales once and for all. He sets off on the hunt but soon begins to understand the power of stories and his part within them. Graduating Crew Director/Animator - Tanya J Scott Producer - Tidža Karup Screenwriters - Jack Maraghy, Tanya J Scott Cinematographer - Jack Hamilton Production Designer - Yujia Huang Production Manager - Margaret Tsoi Editor - Tommaso Di Paola Sound Recordist/Sound Designer/Dubbing Mixer - Simon Panayi Composer - Max Uldahl Lead Compositor - Chris Bowles VFX Supervisor/Colourist/Online Editor - Karolina Matela Cast/Voices HP Williams, Patron - James Sobol Kelly Granny - Tara Hugo

Twenty-eight final year students from BA Animation at Middlesex University were recently commissioned by Oxford based Flintlock Theatre to make 7 x 3 minute films for their No Dogs project, a combined theatre and animation project funded by Arts Council England and Heritage Lottery Fund. Led by Flintlock Theatre, the project seeks to explore the shared and contrasting experiences of Irish and Afro-Caribbean people who emigrated to the U.K in the mid-twentieth century, and the evolving relationship to notions of Britishness of their descendants.

In Antonin Niclass’s short film “Do Not Feed the Pigeons,” a flock becomes a source of unexpected wonder for a group of weary travellers. Still haven’t subscribed to The New Yorker on YouTube ►► http://bit.ly/newyorkeryoutubesub

When a power outage interrupts a bedtime routine, a young woman is confronted by the ghosts of her past, in Ida Melum’s animation “Night of the Living Dread.” The story behind the film: https://www.newyorker.com/culture/screening-room/the-drama-of-insomnia-in-night-of-the-living-dread Still haven’t subscribed to The New Yorker on YouTube ►► http://bit.ly/newyorkeryoutubesub